Super Bowl Ads of Cartoonish Violence, Perhaps Reflecting Toll of War
Only the Times could come up with this angle...
By STUART ELLIOTT
No commercial that appeared last night during Super Bowl XLI directly addressed Iraq, unlike a patriotic spot for Budweiser beer that ran during the game two years ago. But the ongoing war seemed to linger just below the surface of many of this years commercials.
Really? I, like, totally missed that.
More than a dozen spots celebrated violence in an exaggerated, cartoonlike vein that was intended to be humorous, but often came across as cruel or callous.
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For instance, in a commercial for Bud Light beer, sold by Anheuser-Busch, one man beat the other at a game of rock, paper, scissors by throwing a rock at his opponents head.
Vicious, alcoholic, carnivore, heterosexual, warmonger BEAST!
In another Bud Light spot, face-slapping replaced fist-bumping as the cool way for people to show affection for one another. In a FedEx commercial, set on the moon, an astronaut was wiped out by a meteor. In a spot for Snickers candy, sold by Mars, two co-workers sought to prove their masculinity by tearing off patches of chest hair.
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There was also a bank robbery (E*Trade Financial), fierce battles among office workers trapped in a jungle (CareerBuilder), menacing hitchhikers (Bud Light again) and a clash between a monster and a superhero reminiscent of a horror movie (Garmin). It was as if Madison Avenue were channeling Doc in West Side Story, the gentle owner of the candy store in the neighborhood that the two street gangs, the Jets and Sharks, fight over. Why do you kids live like theres a war on? Doc asks plaintively. (Well, Doc, this time, there is.)
They should've had the 101st walking down the street gunning down puppies and kittens. But I don't think this guy would've got the symbolism.
During other wars, Madison Avenue has appealed to a yearning for peace. That was expressed in several Super Bowl spots evocative of Hilltop, the classic Coca-Cola commercial from 1971, when the Vietnam War divided a world that needed to be taught to sing in perfect harmony.
Ooooooh! That was soooooo...gay!
Coca-Cola borrowed pages from its own playbook with two whimsical spots for Coca-Cola Classic, Happiness Factory and Video Game, that were as sweet as they were upbeat. The commercials, by Wieden & Kennedy, provided a welcome counterpoint to the martial tone of the evening.
I wish Halliburton had bought ads. This guy would've had a stroke...
Those who wish the last four years of history had never happened could find solace in several commercials that used the device of ending an awful tale by revealing it was only a dream.
There's no place like home, Toto! There's no place like home!
The best of the batch was a commercial for General Motors by Deutsch, part of the Interpublic Group of Companies, in which a factory robot obsessed about quality imagined the dire outcome of making a mistake.
I dunno. I was watching the game with my robot, and that one kinda freaked him out. We had to have a long talk.
The same gag, turned inside out, accounted for one of the funniest spots, a Nationwide Financial commercial by TM Advertising, also owned by Interpublic. The spot began with the singer Kevin Federline as the prosperous star of an elaborate rap video clip. But viewers learned at the end it was only the dream of a forlorn fry cook at a fast-food joint.
No. That's his actual job now.
Then, too, there was the unfortunate homonym at the heart of a commercial from Prudential Financial, titled What Can a Rock Do? The problem with the spot, created internally at Prudential, was that whenever the announcer said, a rock invoking the Prudential logo, the rock of Gibraltar it sounded as if he were saying, yes, Iraq.
This guy needs help. He's got the BDS realty, really bad...
To be sure, sometimes a rock is just a rock, and someone who has watched the Super Bowl XIX years in a row only for the commercials may be inferring things that Madison Avenue never meant to imply.
"A rock"= "Iraq". Get it? Me neither...
Take for instance a spot by Grey Worldwide, part of the WPP Group, for Flomax, a drug sold by Boehringer Ingelheim to help men treat enlarged prostates.Heres to men, the announcer intoned, to guys who want to spend more time having fun and less time in the mens room. It was not difficult to imagine guests at noisy Super Bowl parties asking one another, Did he just say, guys who want to spend more time having fun in the mens room?
He should also get maybe a hearing test.
Another off-putting moment was provided by a stereotyped character in a commercial by Endeavor for a hair dye, Revlon Colorist. He was described as the stylist for the singer Sheryl Crow, and he was clearly miffed about her using the product. Revlon? Color? he asked, pouting and rolling his eyes. I am the colorist.
A "colorist", man? That's gotta be bad in Timesworld, right? I mean, there's an "ist" on the end of it, and that can't be good...
Posted by: tu3031 2007-02-05 |